Richard Gilewitz is recognized as a unique and humorous performer, noted and respected worldwide for his command of the steel string guitar. As a compelling player who composes and delivers a kaleidoscopic mixture of instrumental selections with 6 and 12-string finger gymnastics, Richard forges a voice to include the expanse of his influences as his complex and energetic works become stories from the guitar. His use of banjo style picking patterns, classical arpeggios, tapping and harmonics, as well as a rhythmic and percussive approach, brings a fresh impression to the listener.

As a youngster, Richard embraced such diverse artists from the The Beatles, Andres Segovia, Kraftwerk and Leo Kottke to J.S. Bach, Arlo Guthrie, John Fahey, and Flatt & Scruggs. Soaking up the wealth of inspiration supplied by the assorted acts featured at the Renfro Valley festivals, "The Dr. Demento Radio Show" and "The Midnight Special", Richard took on the challenge of mastering and adapting many styles of music for the acoustic guitar.

In between touring and recording for over three decades, he continues to work on his craft under the direction of classical guitarist David Walbert, who has studied with renowned violinist Frances Magnes, and guitarists Gil de Jesus and Sophocles Papas. Richard is the creator of the traveling “GillaCamp”, a 1-hour to 3-day guitar experience, is the author of Mel Bay Publications' book "Acoustic Fingerstyle Guitar Workshop", and is a contributing writer for several trade magazines and webzines.

"His playing is faultless, the production as clear as a pinged champagne glass." SeeLife, Brighton UK

"You'll laugh as you learn." Columbus Dispatch

“Richard Gilewitz has found a superb balance by playing skilled techniques in a wide range of styles in a rousing own signature.” Henk te Veldhuis, Bridge Guitar Reviews

“He seems to embody the traditional values of the guitar and shows what can be accomplished when you do.” Option Magazine

”His performance style is very crisp and precise, allowing the personality of the music to shine through.” Dirty Linen Magazine

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